If I Ever See You Again New York Times Review
Charlie Puth Got Famous. Then He Got Good.
Fame most ate this 26-year-sometime pop vocalizer and songwriter alive. At present he'southward fabricated one of the year'due south best pop albums, "Voicenotes."
The 26-year-old vocalist and songwriter Charlie Puth rocketed to fame with the 2015 Wiz Khalifa collaboration "See Y'all Once more." His new anthology, "Voicenotes," pushes him in different directions. Credit... Jake Michaels for The New York Times
BEVERLY HILLS, Calif. — In the modernist dwelling here where Charlie Puth has lived since December, an Aston Martin sits in the garage, the ceilings are tropical-forest alpine, the living room is sunken with leather couches, and the toilets raise their lids to greet yous.
On a Lord's day earlier this month, it was midafternoon and Mr. Puth hadn't eaten yet, but he was in his modest dwelling house studio, with its racks of vintage synthesizers, working out some new ideas with the songwriter Johan Carlsson. He hopped on a keyboard with a distinct early-1990s vibe, gooey and a little cold, and began playing snippets of older songs: Toto's "Africa," Ol' Muddied Bastard's "Got Your Money," SWV's "Weak." He hitting upon a audio that fabricated him happy — "like mixing Jodeci with Tears for Fears," he said.
Information technology was a few days earlier the release of "Voicenotes," his second anthology, and the first one non quickly microwaved to completion in the immediate aftermath of an out-of-nowhere megahit. In 2015, Mr. Puth was an up-and-coming songwriter when he rocketed into the pop troposphere with the Wiz Khalifa collaboration "Run into Y'all Again," a moist lump of treacle from the "Furious 7" soundtrack. Other large hits followed, but none felt quite right to him.
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"I was trying to figure out who I was musically in front of millions of people," he said, seated by the puddle in the back of his house. He wore a Puff Daddy T-shirt tattered with attitude, yellow Adidas sweatpants and chunky Alexander McQueen sneakers. His hair was flamboyantly shaggy, as if a make clean swoop had hit a wind tunnel.
"Voicenotes" is a confident, impressive pop album, with ironclad melodies and frisky takes on 1980s funk and 1990s soul. It turns out that Mr. Puth is not the maudlin crooner who entered the spotlight, but rather a sophisticated pop marksman with a gift for spare, pointed arrangements — he produced well-nigh the whole album himself — and detailed, vulnerable lyrics. He gets wronged by an older adult female on "Boy," and "LA Girls" is about how a whole city, and everyone in it, can break your eye. On "If You Leave Me Now," he duets with Boyz 2 Men, and on "Change," with James Taylor. His falsetto, on "How Long," "Somebody Told Me" and more, is appealingly supple. All in all, it makes for 1 of the boldest popular albums of the year.
Prototype 
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Getting here was non easy, though. For Mr. Puth, 26, the couple of years following "See You Again" were a juxtaposition of intense public success and every bit intense private struggle. "A little chip of success, you think that I would exist over the moon," he said, "but quietly, it was actually hard for me."
He had several smash singles, including the treacle 2.0 of "One Call Away" and the sensuous Selena Gomez duet "Nosotros Don't Talk Anymore," and his debut album, "Ix Track Mind," went platinum. But it was rushed: "For the about part it was just filler," he said. Decisions were happening apace. In a particularly cruel example of record label alchemy, a version of his song "One Call Away" was released featuring the Mexican starlet Sofia Reyes, the ur-land gentleman Brett Eldredge and the salacious R&B crooner Ty Dolla Sign. (Yes, that is a real song.)
And for someone who grapples with anxiety issues, being suddenly thrust into the spotlight was disorienting. "I'm already a very in-my-head anxious person," he said. "I don't really do well when I'grand solitary a lot because I'one thousand solitary with my thoughts which is not good. It gets very freaky. The large misconception is when you get more than famous yous have more friends. I detect that I'm alone more ever at present."
He cried on Norwegian television. At a concert in Dallas, while singing "We Don't Talk Anymore," he cursed out Justin Bieber (Ms. Gomez's ex) in absentia, prompting love triangle speculation. He flirted with two married "Admission Hollywood" hosts. ("The Puthinator came out to play," quipped the Australian gossip site Dolly). He was captured past paparazzi with the Hollywood wild-child Bella Thorne on a Miami beach, then, after she posted a picture with her ex, melted down on Twitter merely a few days afterward..
"He was put into a very difficult position 'cause the song ['Meet You Once more'] was bigger than he was," said Kara DioGuardi, the hit songwriter and onetime "American Idol" estimate who taught Mr. Puth songwriting at Berklee College of Music. "I don't recall he was prepared for that."
Usually it takes pop stars decades to recant their ways and lament the falsity of fame; for Mr. Puth information technology took about 18 months. "I can't pretend that I can go on being that guy when I truly, truly wasn't," he said. "I'one thousand the nerdy musician who likes to make mixtapes for girls in seventh grade. At present I'm just older, and I'm nevertheless doing that."
By the time of the Jingle Brawl at Madison Square Garden at the end of 2016, he'd begun to unravel a chip. At the show, he was beating his piano like a drum kit and jerking his torso theatrically like the Incredible Hulk breaking out of Bruce Banner'southward square slacks.
A few months later came "Attention," the slick, lithe, panting funk vamp that announced Mr. Puth's rebirth. It snarled, full of resentment virtually a woman attaching herself to Mr. Puth for the wrong reasons.
He now wonders if, during his cursory amour with public life, his high-contour romances were more transactional than they felt in the moment. "I call back I got — I'm trying to say this in the right way then I don't arrive problem — it was more than about the idea of me than really wanting to be with me," he said, "and I got that dislocated with bodily love and romanticism."
Epitome
For all his success, there is something still tender about Mr. Puth. He carries himself softly, behaves considerately. In schoolhouse, he was an eager pupil. "Driven, driven, driven," Ms. DioGuardi said. "Always prepare to answer a question, expound on why he thought something was good or bad. He stood out. He was quirky and funny." When he talks about the work Babyface did on TLC'south "CrazySexyCool," he notes how the intro is in B minor and so the side by side song, "Creep," shifts to C minor. During the interview, when he heard a bird chirping in his backyard, he squawked dorsum, "B apartment!"
He learned piano from his female parent, and commuted from New Jersey to the Manhattan School of Music before heading to college at Berklee. During loftier schoolhouse, he wrote jingles for YouTube stars, and afterward, in college, was briefly signed to Ellen DeGeneres's record characterization after a YouTube cover he did — a duet version of Adele's "Someone Like You" — took off in 2011. When "Run across You Once more" became a nail, he was making his manner as a backside-the-scenes force: Lil Wayne'due south "Nothing But Problem" began as Mr. Puth's song lamenting Instagram models; he wrote Trey Songz'due south "Slow Motion"; and he produced "Broke," a madcap collaboration by Keith Urban, Jason Derulo and Stevie Wonder. (Again, yes, a existent song.)
Simply even though he'south been working at becoming famous for and then long, he's however growing into his pop star presence.
There was a brief flicker of the 2015-16 Puth effectually the release of "Attention." He went on "The Voice" to perform the song, in a tight scarlet shirt, surrounded by flexible female dancers. The "Voice" approximate and new friend Adam Levine texted him subsequently that he felt the performance wasn't a true reflection of his artistry.
Mr. Levine was right. "It was false," Mr. Puth said. "Information technology was an invention in my heed, a hypothetical that would work." The side by side time he performed the song on tv, he stripped it down with the Roots on "The This evening Prove Starring Jimmy Fallon."
"You can have a career similar Bruno Mars and not be seen everywhere," Mr. Puth said. "I'm getting dorsum my tortoise beat."
And doing so is peradventure allowing him to put his center on the line again. In the studio with Mr. Carlsson, instead of getting mired in the skepticism and frustration that define "Voicenotes," he was writing about how a new crush tingles:
I honey the fashion
Those letters feel
When I write your name in my phone
Write your proper noun in my phone, babe
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Source: https://www.nytimes.com/2018/05/16/arts/music/charlie-puth-voicenotes-interview.html
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